The Introduction
Last week I blazed through the book Parrotfish by Ellen Wittlinger (first published in 2007, wow). The gist is that Angela, now Grady, is an FTM transgender teen, and has to deal with transitioning in her family and at school.
First of all I’d like to congratulate the author for publishing this book at all. I’m betting she took a big risk in writing the book and getting it out there, especially when considering this is a Young Adult (YA) book, and there are only 2 other transgender teen books out there (that I know of). So, props to the author, and review notwithstanding, my respect for it still stands. Second, I’d like to preface this review with a warning of its brutal honesty, to the point of being harsh. My disappointment in the book is likely magnified by the overly optimistic expectations I had for it. Now on to the review.
The Review
The word that kept coming to mind was trite, and that pretty much sums it up. By page 60 I was already less than hopeful for the rest of the book. The dialog read more like a PFLAG pamphlet than what any real person would even remotely say. In addition to the complete lack of emotion in any of the characters, what they were actually saying was stiff to the extreme, resembling a compiled Trans 101 FAQ than actual conversations one might have, not to mention outrageously unrealistic. Several characters had alread been introduced, to the point that names are mentioned and lines are spoken, but a cardboard cutout of Justin Bieber has more life than all of the characters put together. This did not improve throughout pages 61 to 261.
For instance, when Grady comes out to the principal of the school, informing him of the name and gender change, the principal responds by saying:
“Well Angela, that’s just silly. Of course you aren’t really a boy. You’re probably a lesbian- I understand that. And I suppose you want to prove something by going all the way like this.”
Try to imagine your principal, or any other person in some position of authority, saying this to you, word for word. Now, take the gym teacher’s response to Grady’s coming out:
“Don’t tell me… Good Lord, you’re transgendered, aren’t you?”
Yes, people definitely think this, and people most definitely have ways of expressing this. But again, the dialog is trite, and the context in which it was presented renders its credibility to nil.
Another big issue that kept nagging at me is the timeline of events. Angela cuts her hair, puts on boys clothes, and changes her name to Grady, and her gender to boy, and comes out to her family and friends, all in what seems to be the course of a weekend. Then Grady goes to school on Monday and informs all of his teachers and his principal of his new name and his decision to live as a boy. Also, his family seems to perform a 1080 opinion flip on Grady’s transition, all in the matter of a few days, at most a week or two. To stretch reality would be an understatement when we say people don’t realize they are transgender, come out to their family, friends, and school, AND transition, all in one weekend.
Moreover, it bothered me that we never get to read about Grady’s thoughts on the decision to transition. We only get the trite response: “I couldn’t keep on living as a female.” Yeah, most trans people don’t want to keep living as XX or XY, that much is true. But transition is not something you just up and decide to do because you can’t stand being XX or XY anymore. Transition is so much more complex than that, and the decision to transition is one that people mull over for months, years, or decades even.
Actually, we don’t really get to read any deep conflicts in Grady’s mind. Most of the book deals with outward discrimination and bullying and non-accpetance, but nothing internal. Many transgender people go through their first hell with themselves, before they even tell a soul about it. As much as outward discrimination is a reality and should be legitimately addressed, it tends to stir up and aggravate the internal conflicts one is already trying to grapple with, compounding with the other threats. Thus, the non-prescence of these struggles added to my disillusionment with the book.
The high point was the skit towards the end of the book, which is outrageous and unrealisitic, in a good way (suspending disbelief is sometimes allowed). It was a cheerful way to wrap up a difficult concept, and, had the metaphor been less obvious, it might have been lost on younger readers. This was also one of the few places where the author’s voice really shined through, which makes me wonder why the rest of the book wasn’t like that.
The Conclusion
What usually happens when I read YA books is that they leave me wanting more; they start out promising, and continue to be so, up until the end where the wrap up is finally disappointingly quick and unclimatic. Still, I yearn for their improvement, spotting out the places where they could be so much better if… Unfortunately this book did not ever even approach promising, save probably for its main topic, which was the original point of attraction. It did not leave me wanting more; it left me wanting to quit and start over. I’m not sure if this was due to the author’s general style (as I have not read any of her other books), or whether it was aimed at a much younger audience (as I usually read books aimed for grades 9-12), or because of the author’s presumable lack of knowledge and first hand experience with transgender or queer topics. All in all, this book was short of everything: plot, characters, depth of thought, and depth of the subject matter.
I must point out, however, that Parrotfish is the first YA book where the main character is an FTM transgender teen. The other two YA books with trans characters are both MTFs (Almost Perfect by Brian Katcher, 2010 and Luna by Julie Anne Peters, 2006, reviews forthcoming). Once again, I’d like to apologize to the author for this scathing review, and despite it, thank her on getting this book out there. Visibility and awareness are the baby steps towards knowledge and acceptance, so this book definitely holds an important place in advancing transgender rights. Let’s hope that in a few years time there will be countless more books out there targetted at teens that deal with transgender issues.
Bonus! Participating in the “Gender Identity & Expression Challenge 2011″
Visit the Bibrary site for more info – it sounds like fun if you’re already reading some queer literature (and if you aren’t, you should)!

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I want to thank you for writing this, because I’m doing a huge project on compiling an annotated bibliography of LBGTQ+ YA literature, and I have a grand total of one trans book. I read Almost Perfect, and I didn’t even like it that much. The ending left me really unsettled, and there was a lot of “not a real girl” without enough “no, she is a real girl” for me. But in case you haven’t read it I won’t say more.
Anyway, I’m glad you reviewed this because I had decided not to read it after reading the Amazon reviews, but I was getting kind of desperate and wondering whether I should try it anyway.
One of the books I read, Down to the Bone, was about a lesbian character, but one of the strongest other side characters was a self-identified boi, who talked about not wanting surgery, and also wanting to find a girlfriend who wouldn’t want him to fit a specific model of masculinity, but still accept him as a guy. That’s probably the best trans character I’ve found so far.
There is a new book, I am J, about a trans boy. I’m trying to get my hands on it but my library is being really slow about getting it out despite having had it for a while, so I may have to cave and buy it. The reviews on Amazon are mixed, but there’s only 3 of them.
It is really depressing that there are only these four books to choose from. I may, if I have time, try out Luna just to see. It’s harder to find reviews written by trans people, and I don’t entirely trust the impressions of people who say “This was the first time I learned about transgender people!” in their reviews. Have you read Luna or do you just plan to?
Yes, I’ve read Luna and Almost Perfect, and will do a review on both of them soon (although it’s been a few months for each). I hadn’t heard of any of the others, so I’ll be sure to add them to the list, which I’ll publish next week. Thanks!
Oops, I should have read your comment before posting mine. I’ve actually read Luna, and I thought it was very good. It did an incredibly good job of showing the “transgender” experience, so to speak, and considering it was from the main character’s point of view (about her transgender sister), I thought it was a very well-written book.
Also, I just purchased “I am J” on Amazon, so I’ll try to let you guys know how it is.
Oh thank you! That is good to know. Sometimes it’s really hard to get a feel for a book off the Amazon reviews, most of them don’t go into a lot of depth.
That would be great! It would help me decide whether to try buying it, for sure.
I believe there’s a brand new book about an FTM trans-teen. It’s called “I am J”, by Cris Beam. My sister actually told me about it, and it should be out already–I saw in in London at a bookstore. I can’t speak for to book at all, but maybe it will be better than “Parrotfish”.
Thanks for this review!I noticed that you called the main character she and her several times.Dont know why but those are not the correct pronouns to use when discussing a masculine transperson.
@Drew
Thanks for stopping by!
I used ‘she’ and ‘he’ to separate out the character before transition and after transition. I know for some it is never OK to do this, but that’s the sense I got from the character and the book overall in this particular case. I never mean to offend, but I don’t fret too much about being PC either.
@Meike
Just bought ‘I am J’ and got halfway through it today. Expect a review soon!
I think that’s a fair approach to the question of pronouns. I know I face the same struggles when writing a review, especially when recapping the plot.
Each reader’s experience directly impacts how they read a story, so I always try to keep friends, allies, and complete strangers in mind. Shifting pronouns to match the visible or outward transition does help to ground some readers and make the story (or the review itself) more accessible.
As you mention, it was one way to represent how I felt throughout the book about the main character.
Thanks for the reassurance Sally – you’re a weathered veteran, and this was my first book review!
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